다운로드 AR1795

다른 한편에서는 원활한 경험을하려면 파일을 장치에 다운로드 한 후 파일을 사용하는 방법을 알아야합니다. APK 파일은 Android 앱의 원시 파일이며 Android 패키지 키트를 의미합니다. 모바일 앱 배포 및 설치를 위해 Android 운영 체제에서 사용하는 패키지 파일 형식입니다.
네 가지 간단한 단계에서 사용 방법을 알려 드리겠습니다. AR1795 귀하의 전화 번호.

1 단계 : 다운로드 AR1795 귀하의 기기에서

아래의 다운로드 미러를 사용하여 지금 당장이 작업을 수행 할 수 있습니다. 그것의 99 % 보장 . 컴퓨터에서 파일을 다운로드하는 경우, 그것을 안드로이드 장치로 옮기십시오.  

2 단계 : 기기에 타사 앱 허용

설치하려면 AR1795 타사 응용 프로그램이 현재 설치 소스로 활성화되어 있는지 확인해야합니다. 메뉴 > 설정 > 보안> 으로 이동하여 알 수없는 소스 를 선택하여 휴대 전화가 Google Play 스토어 이외의 소스에서 앱을 설치하도록 허용하십시오.

3 단계 : 파일 관리자로 이동

이제 위치를 찾으십시오 AR1795 방금 다운로드 한 파일입니다.
일단 당신이 AR1795 파일을 클릭하면 일반 설치 프로세스가 시작됩니다. 메시지가 나타나면 "예" 를 누르십시오. 그러나 화면의 모든 메시지를 읽으십시오.

4 단계 : 즐기십시오

AR1795 이 (가) 귀하의 기기에 설치되었습니다. 즐겨!

개발자 설명

AR 1795 is an Augmented reality application that allows you to view art works from a different view. When you run the AR 1795 application, the camera is automatically activated. If you look at the works installed in the exhibition space through the mobile camera, you can see the virtual graphic that was not seen when you saw the work with your eyes directly. This app presents a new exhibition method for AR techniques that blend artwork installed in the real space and virtual graphics displayed through mobile devices. AR 1795 is a work of graphisme.xyz. You can appreciate the works by visiting not only the exhibition but also the website of graphisme.xyz. In addition, you can print out the image of the work on the website. Artists can view their graphic works updated whenever they visit AR 1795 periodically with updating their works. Also, AR 1795 is pursuing the works that make viewers can communicate an opinion to artists. Enjoy imaginative space through AR 1795. Download AR Marker = https://graphisme.xyz/ar1795 Content Description This eight-panel folding screen depicts the major ceremonial events held during the eight-day procession led by King Jeongjo, accompanied by his mother, Lady Hyegyeong, to the ancestral tomb (Hyeollyungwon) in Hwaseong where his father, Crown Prince Sado, was buried. The procession, which took place on February 9, 1795 (the 19th year of the reign of King Jeongjo of the Joseon Dynasty) and lasted for eight days, was held to commemorate his late father’s 60th birthday. The eight scenes depicted from right to left comprise the visit to the Royal Ancestral Tomb at Hwaseong; the Special Civil and Military Service Examinations; a Banquet in Honor of the King’s Mother at Bongsudang Hall; a Feast for the Elders at Nangnamheon Pavilion; Nighttime Military Exercises at Seojangdae Fort; the King Shooting Arrows at Deukjungjeong Pavilion; the Procession Returning to the Royal Palace; and the Procession Crossing the Hangang River over a Pontoon Bridge. The work was produced by some of the period’s most eminent court artists from the Gyujanggak (Royal Library), including Kim Deuk-sin and Yi In-mun. The scene depicting the banquet held at Bongsudang Hall closely resembles the traditional composition of paintings of that time. However, the composition of the scene depicting the procession returning to the Royal Palace is in the shape of a ‘之,’ which is characteristic of Pyeongsaengdo (Lifetime Paintings) of the famous court painter Kim Hong-do. The last scene depicting the procession crossing the Hangang River over a pontoon bridge displays a unique composition rarely seen in paintings of royal processions at that time. Overall, the scenes portray subjects from all walks of life with a slightly comic touch, and faithfully reflect the customs and lives of the people of those times with the use of refined colors and sophisticated depiction. In this respect, the painting is, in essence, a historical documentary painting, although it also exhibits the characteristics of genre paintings, which are pictorial representations of everyday life. The painting is rendered in sophisticated, elegant colors, with each scene depicted with an exceptional attention to detail. It is not only a remarkable work of art, but also a work of great historical value that provides valuable insights into the customs and way of life of that time. The painting is a masterpiece among documentary paintings of the 18th century.